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“When TIME magazine compiled a list of the one hundred most significant people in twentieth-century art and entertainment there were only five who had shown any public signs of Christian faith.”

- Steve Turner, journalist, poet, Imagine: A Vision for Christians in the Arts


This symposium will bring together pastors, church leaders and artists to discuss the Church’s relation to the arts and to artists. We will focus our discussion on three areas:

1) art and the worship of the Church

2) artists and the community of the Church

3) art and the mission of the Church in the renewal culture

If you are interested in exploring the ways in which we can encourage a more theologically informed, biblically grounded, liturgically sensitive, artistically alive and missionally shrewd vision for the Church and the arts, then we welcome you join us April 1-3, 2008 for a lively and enriching conversation.


Does it matter how we the Church view the arts?

Yes, it does, tremendously. Consider this data:

- The 2006 Box-office receipts for Hollywood in 2006? $9.42 billion.

- “It wasn’t just the biggest tour of the year—it was the biggest tour in history. Who else but the [Rolling] Stones? Nobody, that’s who, and the dark lords of rock & roll could not be stopped, grossing an estimated $437 million to shatter U2’s box-office record.” - Rolling Stone Magazine, end of year issue 2006.

- According to the Center for Screen Time Awareness, the number of 30-second commercials that the average child views in one year is 20,000.

That’s a massive power in economic terms. It’s also an enormous power which artists wield in the shaping of minds and lives in our society, especially the young ones. We the Church ignore this culture-shaping, heart-transforming power to our own detriment.

Does it matter how we treat the artists in our communities?
Most artists, whether in NYC or LA, in Seattle or Austin, want very little if anything to do with the Church. It strikes them more like a rationalist’s university classroom or a pragmatist’s business meeting than like anything resembling the rich world of God’s creation filled with all its supersensory wonder. They look at the Protestant Evangelical church and they see an aesthetically arbitrary arrangement. They see a fickleness about beauty. They see an imagination handicapped by Enlightenment presuppositions. Why should artists want to become members of a Church that either ignores, dismisses or rejects their nature and vocation? Yet they too are sheep Christ seeks to bring into his fold.

What about pastors?
Pastors are gatekeepers. They let things in, they keep things out. They make things happen or not happen. To inspire a pastor with a vision for aesthetic renewal could open doors not only for new artistic activity in the church—an ecclesia reformata, semper reformanda—but also for the kind of discipleship that artists need to become mature agents of grace in the culture. We cannot ignore the uniquely important role that pastors play in the Church’s work of cultural renewal.

What about our churches?

Churches across North America are experimenting with new forms of gospel-communication: through film and dance, banners and sculpture, ambient music and architectural design. How do we as leaders make wise decisions: how to think artfully; how to employ wisely the different arts into the service of worship without undermining the aims of our worship; how to equip lay persons, businessmen and lawyers, house-keepers and politicians, to come alongside artists in a mutually enhancing partnership? With much of this experimentation comes a messiness and perhaps even doses of evil. We need great wisdom.

What is the hope? What is the end result?

The hope is for an eventual Packer poet laureate and an Amy Carmichael breaking new ground in the field of modern dance. We’re looking at our artists making films for Universal Studios, showing in the vanguard galleries, teaching in the college theater departments. We’re looking at artists sitting on the advisory board of ballet companies. We’re looking at seminaries with programs in aesthetics. We’re looking at a generation of children growing up in our churches getting the kind of nurture which will produce first-rate artists, a Mozart or a Charlotte Bronte.

The hope is for a powerful, grace-filled transformation of the culture.
And that future begins now. It begins with young believer artists like the rocknroller Sufjan Stevens, whose album “Illinois” ranked #9 on Rolling Stone magazine’s Top 50 Albums of 2005:

“I’m interested in reconciling this phenomenal event—the incarnation of God—with Santa Claus and blue-light specials at KMART and the weird preoccupation we have with buying a lot of junk and giving to each other.” (in a recent Rolling Stone mag interview)

1. A corporate worship that is theologically informed, biblically grounded, liturgically sensitive, artistically alive and aesthetically rich, rich because of its recognition that beauty, the senses, our imaginations and emotions as well as the arts matter greatly in our worship and knowledge of God who himself created these facets of our humanity and called them good.

2. Church leaders who understand the unique make-up of artists and a Church that becomes a haven and home for them; a Church that gives the kind of pastoral care and discipleship that enables them to grow up, mature, and become firmly established in their identity in Christ; a Church that knows how to release her artists into the manifold callings on their lives wherever they may find themselves on the earth that God so loves and artistically fashions.

3. A Church which transforms the culture by way of a redemptive artistry; a Church that sends her artists into the culture to become the incarnational presence of Christ, a presence quietly hidden or powerfully public, holistic, prophetic, winsome or graciously subversive; a Church which releases her artists to create works which expose all the ugliness of sin and entice the human creature into the beauty of God.


1. The arts and the corporate worship of the church (its liturgical actions and its sacred spaces).

2. The arts and the pastoral care of artists
(the discipleship and community formation of artists).

3. The arts and the renewal of the culture
(the impact against the zeitgeist, the redemption of the centers of art).